Research synthesis: Audo Copenhagen product and collection documentation, Afteroom Studio,
MENU collection literature, Design Within Reach, Lumens, 2Modern, Perigold, Remodelista,
Danish Design Store, HORNE, The Metropolitan Museum of Art, MoMA, and Smithsonian.
Some dining chairs demand attention with velvet, tufting, decorative arms, or enough cushioning to resemble a small mattress. The Afteroom Chair – Non Upholstered takes the opposite approach. It uses a slim steel frame, a shaped wood seat, and a compact backrest to create a chair that looks almost as though someone edited away everything unnecessaryand then wisely stopped before deleting the part you sit on.
Designed by Stockholm-based Afteroom Studio for the company now known as Audo Copenhagen, the chair combines Scandinavian restraint with unmistakable Bauhaus influence. It is light in appearance, strong in construction, and versatile enough for dining rooms, kitchens, cafés, work corners, and bedrooms. This guide examines its design history, dimensions, materials, comfort, styling potential, practical advantages, and what daily ownership may realistically feel like.
What Is the Afteroom Chair?
The Afteroom Dining Chair is a modern side chair constructed from a black powder-coated tubular steel frame with a plywood seat and backrest. The non-upholstered model exposes the wood surfaces rather than covering them with foam, fabric, or leather. Current finishes commonly include natural oak, dark-stained oak, and black painted ash.
Its proportions are compact. The chair measures approximately 29.5 inches high, 17.9 inches wide, and 20 inches deep, with a seat height of about 18.1 inches. Those measurements make it compatible with most standard dining tables while allowing several chairs to fit around a smaller table without creating a furniture traffic jam.
The silhouette is immediately recognizable. Four narrow legs rise into a gently curved frame, while a slender steel stem supports the small wood backrest. Viewed from the side, this extended stem has an elegant, almost swan-like curve. Viewed from the front, the circular seat and rounded rectangular back create a friendly contrast with the disciplined steel structure.
Product specifications verified against current Audo documentation.
The Design Story: Bauhaus Ideas With Scandinavian Warmth
Afteroom Studio was founded by designers Hung-Ming Chen and Chen-Yen Wei. Their work is guided by the idea that useful objects should remain visually relevant and become more meaningful as people live with them. The Afteroom Chair expresses that philosophy by relying on proportion, structure, and material rather than decoration.
The designers describe the chair as a tribute to Bauhaus design and functionalism. That influence can be seen in its geometric components, economical use of material, and exposed tubular frame. Bauhaus designers helped popularize lightweight steel furniture during the early 20th century, treating furniture as something that could be rational, reproducible, and beautiful without wearing a fancy costume.
The Afteroom Chair updates that tradition instead of simply copying it. Historic tubular-steel furniture often emphasized an industrial, machine-made character. Here, the black frame is softened by curved wood surfaces and warm natural grain. The result sits comfortably between German modernism and Scandinavian interior design: logical but not cold, minimal but not sterile.
The chair also carries genuine design pedigree. An earlier three-legged version, developed before the familiar four-legged dining model, entered the permanent collection of Sweden’s Röhsska Museum. The four-legged version added conventional stability while preserving the visual economy that made the original concept memorable.
Design history synthesized from Afteroom Studio, Audo, museum-related collection documentation, The Met, and Smithsonian.
Materials and Construction
Powder-Coated Tubular Steel Frame
The frame is made from slender steel tubing finished with black powder coating. Steel supplies strength without requiring thick, visually heavy legs. The powder-coated surface creates an even, low-sheen appearance that works well with the understated design while helping protect the metal from ordinary indoor wear.
The frame’s thin profile is important aesthetically. It allows light and background colors to remain visible through the chair, so a group of four or six chairs does not form a solid visual barricade around the dining table. This quality is especially useful in apartments, breakfast nooks, and open-plan rooms where every square foot must look as hardworking as it feels.
Shaped Plywood and Wood Veneer
The seat and backrest use shaped plywood finished with wood veneer or a painted surface. Layered plywood can produce thin, curved forms while remaining relatively light and structurally efficient. Veneer adds the recognizable grain and warmth of real wood without requiring a thick solid-wood slab.
Natural oak is the brightest and most recognizably Scandinavian option. Dark-stained oak brings greater contrast and works well in formal or moodier interiors. Black painted ash creates the most graphic expression, allowing the seat, backrest, and frame to read as one continuous black drawing.
No Fabric, Foam, or Decorative Distractions
Removing upholstery changes more than the chair’s appearance. There is no fabric to absorb crumbs, trap pet hair, collect kitchen odors, or require professional cleaning. The wood seat can be wiped quickly after meals, making the non-upholstered Afteroom Chair particularly practical for busy dining spaces.
Naturally, the trade-off is firmness. This is a wood dining chair, not a recliner pretending to understand minimalism. Buyers who routinely host three-hour dinners may prefer the partially upholstered version or the Afteroom Plus model, which offers a broader backrest and additional upholstery choices.
How Comfortable Is the Non-Upholstered Afteroom Chair?
Comfort is subjective, but the chair is designed around more than good photography. Its round seat has gently softened edges, while the backrest is positioned to support the lower and middle back during normal dining. The curved frame also gives the back a small degree of flexibility rather than holding the sitter against a completely rigid vertical panel.
For breakfast, dinner, coffee, homework, or an occasional laptop session, the chair should provide an appropriately upright and supportive posture for many users. The roughly 18-inch seat height aligns well with common dining-table heights, helping the sitter keep feet grounded and elbows near the tabletop.
However, the compact backrest does not support the shoulders, and the chair has no armrests or padded pressure relief. It should not be confused with an ergonomic office chair intended for eight uninterrupted hours of spreadsheets. Using it for a short work session is reasonable; attempting to complete an entire tax season in it may cause negotiations between you and your lower back.
People who strongly prefer cushioned seating should test the chair in person or compare it with an upholstered Afteroom model. A thin removable seat pad can add softness, although it slightly interrupts the clean visual concept and may slide unless it has a non-slip backing.
Why Choose the Non-Upholstered Version?
It Is Easier to Maintain
Dining chairs encounter spilled coffee, tomato sauce, sticky fingers, and at least one guest who balances a full plate as though auditioning for a circus. A sealed wood surface is generally easier to clean than fabric. Promptly wiping spills also reduces the chance of stains becoming permanent household residents.
It Keeps Small Rooms Visually Open
The absence of thick padding emphasizes the chair’s narrow steel lines. Even the wood seat and backrest appear to float within the frame. In compact rooms, that visual openness can make the dining area feel less crowded without sacrificing actual seating.
It Highlights the Design
Upholstery adds color and softness, but it can hide part of the object’s construction. The non-upholstered chair puts the relationship between steel, plywood, fasteners, circles, and curves on display. It looks good from behind, which matters in open-plan homes where dining chairs are often viewed from the living room.
It Ages Without Following Fabric Trends
Wood and black steel are not immune to trends, but they are less likely to feel dated than a highly specific textile pattern. The chair can remain in place while rugs, wall colors, table linens, and lighting change around it.
How to Style the Afteroom Chair
Scandinavian Dining Room
Pair natural-oak chairs with a pale oak or white dining table, warm off-white walls, woven textiles, and simple pendant lighting. To prevent the room from becoming a beige convention, add black accents that echo the chair frame, such as a bowl, lamp, picture frame, or cabinet hardware.
Japandi Interior
The chair’s combination of restrained geometry and natural material fits easily into Japandi spaces. Choose the dark-stained oak finish with a low-profile table, handmade ceramics, linen curtains, and one sculptural branch that looks accidental but required forty-five minutes to position.
Industrial Loft
Black Afteroom Chairs work especially well beside concrete, brick, glass, and dark metal. Their refined proportions keep an industrial room from feeling like an abandoned warehouse while preserving the honest-material character of the space.
Mid-Century Modern Home
Although the chair is contemporary, its curved plywood and slim metal frame connect naturally with mid-century furniture. Combine it with a walnut table or sideboard, globe lighting, and a restrained geometric rug. Avoid filling the entire room with vintage references; one room does not need to reenact every year between 1945 and 1965.
Mixed Dining Seating
The chair is simple enough to mix with a bench, upholstered host chairs, or another modern side-chair style. Repeating either the wood tone or black metal elsewhere will make the arrangement look intentional rather than like the chairs arrived separately after missing three connecting flights.
Styling guidance reflects documented Scandinavian-design principles and current retailer presentations.
Choosing the Right Finish
Natural oak is the best choice when a room needs warmth, brightness, and visible grain. It complements white, cream, sage, soft gray, and other light woods. Because real veneer varies naturally, each chair may show slightly different grain patterns or tone.
Dark-stained oak introduces depth without making the chair completely monochromatic. It pairs beautifully with walnut, smoked glass, darker stone, and warm neutral fabrics. It can also create a handsome contrast with pale floors.
Black painted ash delivers the strongest architectural effect. It is ideal for monochrome interiors, black kitchens, marble tables, or rooms that need a crisp visual outline. Dust may be more visible on a dark surface, but the unified color makes the chair particularly sculptural.
Ordering a finish sample is sensible when matching existing wood. Screen images can shift color, and “natural oak” has a charming habit of meaning something slightly different to every manufacturer on Earth.
Care and Maintenance
Dust the wood and frame regularly with a soft, dry cloth. For ordinary marks, use a lightly dampened cloth and dry the surface immediately. Avoid soaking the veneer, using abrasive pads, or applying strong chemical cleaners that may dull the lacquer or damage the painted finish.
Wipe spills promptly, particularly coffee, wine, oil, and strongly colored sauces. Keep the chair away from prolonged direct sunlight and intense heat, which may gradually change the wood tone or affect the finish. Floor protectors should be checked periodically, especially on hardwood, polished concrete, or delicate tile.
Occasionally inspect visible connections for movement and follow the manufacturer’s instructions before tightening anything. Furniture hardware enjoys waiting until an important dinner to announce that it has become loose, so preventive attention is preferable.
Who Should Buy the Afteroom Chair?
The non-upholstered Afteroom Chair is well suited to buyers who value authentic modern design, easy maintenance, compact proportions, and a visually light dining setup. It is especially appealing for apartments, minimalist homes, contemporary kitchens, boutique cafés, and multipurpose rooms.
It may be less suitable for people who require arm support, substantial cushioning, a high back, or all-day office ergonomics. Households with young children may appreciate the wipeable seat, although the steel legs and hard edges still require ordinary care. Anyone ordering multiple chairs should also confirm lead times, return conditions, and finish samples before committing.
Final Verdict
The Afteroom Chair – Non Upholstered succeeds because it does not confuse simplicity with plainness. Its tubular frame, rounded wood elements, and distinctive back support create a recognizable object from remarkably few parts. The design references Bauhaus efficiency while retaining the warmth associated with Scandinavian furniture.
It is firm rather than plush and refined rather than showy. In exchange, buyers receive a chair that is easy to clean, visually compact, adaptable to many interior styles, and interesting from every angle. For someone seeking a modern dining chair with legitimate design history and little appetite for decorative fuss, the Afteroom Chair makes a persuasive case.
Real-World Experience: What Living With the Afteroom Chair May Feel Like
The first thing most people are likely to notice is how little visual space the Afteroom Chair occupies. Place four of them around a small dining table, and the room still feels open because the narrow steel legs do not create a heavy block beneath the tabletop. The chairs are present, but they do not spend the entire evening reminding everyone that they are present.
During daily meals, the non-upholstered surface proves convenient. Toast crumbs can be brushed away, and a small spill can be wiped before it becomes a family legend. Pet hair has nowhere interesting to hide. Unlike a textured fabric seat, the wood does not require vacuum attachments, stain treatments, or a brief emotional recovery after someone drops salsa.
Sitting comfort feels purposeful and upright. The curved seat edge is more welcoming than a flat board, while the small backrest meets the body at a useful point. For a twenty-minute breakfast or an hour-long dinner, the chair encourages good table posture without feeling excessively formal. At the two-hour mark, however, some guests may begin shifting position or looking enviously at the upholstered chair across the room. That is not a defect so much as the expected personality of an unpadded dining chair.
Moving the chair is relatively easy because its construction feels visually and physically lighter than many solid-wood dining chairs. This helps when cleaning the floor, adding a place at the table, or temporarily using one chair at a desk. The narrow width also makes it possible to tuck the chair neatly under many tables, although the exact fit depends on apron height and leg placement.
Over time, the chair’s strongest quality may be its adaptability. A natural-oak model can begin in a bright Scandinavian kitchen, move into a darker home office, and later work as a bedroom side chair without appearing misplaced. Change the surrounding rug, wall color, or table, and the chair adjusts rather than demanding a complete redesign.
Owners may become more aware of the wood grain than expected. Natural veneer changes subtly from chair to chair, preventing a set from looking mechanically identical. That variation brings warmth to a design dominated by precise steel lines. On black versions, the experience is more graphic: the chair can almost disappear against a dark table and then reappear as a crisp silhouette when viewed against a pale wall.
Maintenance is uncomplicated but not nonexistent. Dust shows on black finishes, fingerprints may be visible under strong side lighting, and felt glides eventually wear. A quick weekly wipe and occasional hardware check should keep the chairs looking composed. Ignoring them for six months will not cause immediate architectural collapse, but minimal furniture has fewer decorative details to distract from dirt.
The overall ownership experience is therefore one of quiet usefulness. The Afteroom Chair does not provide lounge-chair softness, adjustable office support, or dramatic upholstery. Instead, it delivers a stable seat, an elegant outline, reliable everyday cleanup, and enough visual character to reward a second glance. It is the kind of furniture that becomes part of the room rather than a temporary styling experimentand that may be its most convincing luxury.
Note: Dimensions, finish availability, prices, lead times, and return conditions may change. Confirm current product specifications and request material samples before ordering.